Book Review: Thinking Through Craft by Glenn Adamson

Synopsis

Thinking Through Craft by Glenn Adamson is a thought-provoking exploration of the role of craft in contemporary art and design. By examining the history and theoretical frameworks surrounding craft, Adamson challenges traditional notions and repositions craft as a critical lens through which to view artistic practice. This book delves into various mediums, including ceramics, textiles, glass, and metalwork, and underscores the intellectual rigor and creativity inherent in craft processes.

The Review

Glenn Adamson’s *Thinking Through Craft* is an illuminating treatise that reasserts the importance of craft in the wider discourse of art and design. Divided into five chapters—supplementary, material, skill, pastoral, and amateur—the book meticulously dissects the ways in which craft intersects with these themes and transcends mere functionality to become a pivotal element of artistic expression.

In the "Supplementary" chapter, Adamson examines the marginalization of craft and posits that its perceived secondary status to fine art is a misconception. He argues that craft’s relationship to fine art is not one of subordination but of symbiosis, where each enriches the other. The "Material" chapter delves into the intrinsic qualities of materials and how their manipulation is central to the craftsperson's creative process, highlighting the deep connection between the maker and their medium.

Adamson's exploration of "Skill" is particularly compelling, as he underscores the mastery and ingenuity required in craft practices. He suggests that skill is not merely a mechanical attribute but a form of embodied knowledge that conveys cultural and personal narratives. The "Pastoral" chapter romanticizes the idyllic and rustic associations of craft, examining how these nostalgic sentiments can be both a source of inspiration and a constraint on contemporary practice.

In "Amateur," Adamson valorizes the role of the amateur craftsperson, emphasizing the authenticity and passion often found in amateur work. He argues that the amateur's lack of formal training can lead to innovative and unorthodox approaches, challenging the rigid boundaries of professional practice.

Adamson's writing is both erudite and accessible, making complex theoretical concepts comprehensible to a broad audience. His interdisciplinary approach, drawing from art history, anthropology, and cultural studies, provides a rich and nuanced perspective on craft. The book is peppered with vivid examples and case studies that breathe life into his arguments, making it an engaging and enlightening read.

Thinking Through Craft is an essential read for anyone interested in the intersections of art, design, and craftsmanship. Adamson’s insightful analysis and passionate advocacy for the significance of craft make this book a valuable resource for artists, designers, historians, and craft enthusiasts alike. By challenging conventional hierarchies and expanding our understanding of what craft can be, Adamson invites readers to appreciate the profound intellectual and creative contributions of craft to the art world. This book not only enriches our appreciation of craft but also inspires a deeper connection to the material and cultural dimensions of making.

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